сergey

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Audio-Technica ATH-ADX5000 – флагманские наушники серии Air Dynamic Компания Audio-Technica в рамках мероприятия IFA 2017 представила новые флагманские наушники серии Air Dynamic – ATH-ADX5000. Они, как и другие представители этой линейки, имеют открытое акустическое оформление, но при этом значительно отличаются от младших моделей в плане конструкции. Также ATH-ADX5000 выделяются на их фоне полностью ручной сборкой (каждый экземпляр наушников изготавливается на фабрике в Японии) и комплектом поставки, который включает полноценный чемодан с замками и ручкой. В новом флагмане от Audio-Technica используются крупные 58-миллиметровые излучатели с покрытыми вольфрамом мембранами. Размещены эти "драйверы" в чашках, внешние стороны которых прикрыты сеткой в форме сот (такая сетка, по мнению разработчиков, улучшает ток воздуха). Среди других конструктивных особенностей новинки отметим оголовье, состоящее из двух ободов, которые, как и амбушюры наушников, покрыты высококачественным материалом Alcantara®. Славящийся своей долговечностью, этот материал обеспечивает высокий уровень комфорта даже при длительном ношении наушников. Что касается технических характеристик новинки, самые основные из них перечислены ниже: тип конструкции наушников: динамические открытые; диапазон воспроизводимых частот: 5 – 50000 Гц; максимальная подводимая мощность: 1000 мВт; чувствительность: 100 дБ/мВт; номинальный импеданс: 420Ω; вес без учёта кабеля: 270 г. Приобрести наушники Audio-Technica ATH-ADX5000 можно будет уже в следующем месяце по рекомендованной розничной цене 2190 евро.

, к сожалению нет,это скорее всего финальная версия.

у них на сайте можно узнать.

Transient Response An ultra light coil and a glass foam membrane with a cobweb structure allow fastest impulse reproduction. All dispensable air volumes like tight channels, slots, holes etc. are largely avoided in order to reduce additional acoustic masses. Spatial Sound Supported by the open design, the drivers are kind of levitating over the ear. The open front cushion enables sound to flow from one side to the other and vice versa. This creates an unprecedented binaural effect and great spatiality. Open Design On both sides of the moving membrane the spaces are completely vented. No acoustic volumes hamper the membrane in its movement and the front cushion is acoustically open. This yields an unsuspected sense of space. Innovative Frame Construction A light metal frame transmits the force from the soft cushions to the head in order to achieve very small specific surface pressure. Sensitive areas of the head are bypassed resulting in a well fixed headband carrying the hovering drivers. Philosophy New materials, improved computer simulations, revolutionary measurement methods like psychoacoustics, artificial head (head and torso simulation), laser vibrometers and others opened new possibilities for the construction of acoustic devices. So the master minds behind the K 1000, Ryback and Renner, decided to apply their experiences to the development of the ultimate headphone – the MySphere 3.1.

WA33 Fully Balanced Headphone Amplifier All Direct-Heated Triode Drive, Class-A Output Transformer Coupled * One year factory warranty * AMP and PSU ship in a molded foam in a double-wall box * 1 quad of 2A3, 1 quad of 6C45, and 1 5U4G tubes are included. * AC Power cord and audio cables are not included. * Shipping charge applied to CONUS only. International shipping charge will be invoiced when your order is in our system. Technical Specifications:Four 2A3 power tubes in matched quad Four 6C45 driver tubes in matched quad One 5U4G rectifier tubes Voltage: AC 110/220V, 50/60 Hz External dimension (AMP with tube installed + PSU): ½(H), "(W), "(D) Weight: AMP + PSU: lbs Headphone Amplifier Specifications:Headphones impedance : 8—600 Ohms Frequency response: Hz— kHz, -2dB Power output: up to watts Signal/Noise: >= 95 dB THD: <= %, 1kHz Standard Features:Fully Balanced Direct-Heated Triode, Class A, Output-transformer design Point-to-Point wiring User selectable High or Low IMPEDANCE User selectable High or Low LEVEL headphone output Price: $7999

The perfect partner for reference-class headphones. There are two things that mark a quest for perfection: It is never completed, and it has the potential to bring out the most extraordinary things with the power to shape the future within its field. Enter the HDV 820, which will surely change the way you listen to and experience your music. That is, if you are lucky enough to possess headphones capable of turning the extremely high-quality audio signal delivered by the HDV 820 into an aural quality just as supreme. The mission: Better the best When you have engineered audio components that represent the state of the art, going one better is the most rewarding task we at Sennheiser can think of. It was the task we set out on when we designed the HDV 820. Pioneering into new technological territory, we found still more sonic truth to bring to our most demanding clientele. The sound: Making great headphones show all their class Virtually everything. That is what the HDV 820 will give to your headphones. So, it will be up to them to make it heard. The different timbres of two otherwise identical instruments. The distance between the musicians of an orchestra, the tension before a singer delivers the first note. It is all there, for you to discover. The technology: Only the unsurpassed The higher the tech, the higher the emotion. The heart of the new HDV 820 is a formidable ESS SABRE32 DAC (digital-to-analog converter) that surpasses the previous generation with an even higher resolution of 32 bits and a sampling rate of up to 384 kHz. The amplifier is also capable of playing DSD256 files of up to 12.3 MHz. The design: Giving the eyes a taste of how it sounds Fittingly for an audio component that delivers such an incredibly pure sonic experience, the HDV 820 has also been created to delight visually. It features a new anodized black finish with white LED lights that has been designed to perfectly complement the latest version of our flagship high-end headphone, the HD 800 S – by the way, an ideal partnership for the ultimate audiophile listening experience. The compatibility: Outstanding sound will find a way With a breadth of audio outputs that include XLR3, XLR4, 6.3 mm- and a 4.4 mm Pentaconn socket, it is easy to find the optimal way to connect your headphones with the HDV 820. It performs brilliantly with digital sources, whether optically, coaxially, or via USB, and features balanced (XLR) and unbalanced (RCA) analogue inputs. The HDV 820 also comes supplied with a dedicated, country-specific power cable. Technical Data Dimensions Approx. 224 x 44 x 306 mm Frequency response < 10 Hz to > 100 kHz THD, total harmonic distortion < 0.001 % Weight Approx. 2.25 kg Power consumption Nominal 12 W (2 x 300 Ω headphones connected to the 4.4 mm outputs) Power supply 100 – 240 V ~, 50 – 60 Hz Gain UNBAL input/XLR-4 output: Adjustable 14 dB, 22 dB, 30 dB, 38 dB, 46 dB BAL input/XLR-4 output: 16 dB Dynamic range > 115 dB @ 600 Ω load (A-weighted) Voltage 100 – 240 V ~, 50 – 60 Hz Crosstalk Min. 93 dB @ 1 kHz

Crosszone CZ-1 Headphones Japanese manufacturer Crosszone has released a pair of headphones that it says do not have the ‘centre of the head’ soundfield of ordinary headphones. ‘Almost all recorded music has been recorded in such a way that it sounds natural only when played back through stereo speakers,’ said Boris Granovsky, of Absolute HiEnd, which distributes Crosszone headphones in Australia. ‘Unfortunately, when this music is played back using ordinary headphones, the result is a biphonic sound field that appears to listeners as though it’s coming from within the centre of their own head, an effect known as internal sound localisation, or ISL. Crosszone’s CZ-1 uses a special tridimensional array of drivers to produce a natural “spatial” sound that’s similar to that you’d hear from a pair of loudspeakers, by producing a sound field Crosszone calls external sound localisation, or ESL.’ Each earpiece in the CZ-1 is equipped with two drivers, one 40mm in diameter that acts as the ‘bass/midrange’ driver and one that’s 23mm in diameter that acts as the tweeter, both plated with beryllium, plus a third driver that delivers sound derived from the other channel via what Crosszone calls an ‘acoustic delay chamber.’ It’s the use of three drivers in each earpiece that gives the CZ-1 earpieces their distinctive triangular shape. Each pair of CZ-1 headphones comes with one high-quality cable that uses oxygen free copper strands in a Litz configuration using eight cores of cable. The cable can be connected to either the left or the right earpiece. Two additional cables are supplied, one 1.5 metres in length for mobile use and one that’s 3.5m long for use in a listening room. ‘All Crosszone headphones are built by hand in made in Okaya City, Nagano Prefecture, in Japan, using parts that are sourced exclusively from Japanese manufacturers,’ Granovsky told Australian Hi-Fi Magazine, ‘so you can be certain that these headphones are truly ‘Made in Japan’ and that as a result, superior quality is assured.’ Manufacturer’s Specifications: Crosszone CZ-1 Headphones Type: Circumaural Frequency Range: 20Hz–40kHz Efficiency: 97dBSPL/1mW Impedance: 75Ω (nominal) Weight: 485g 2 999,00 €

http://www.youtube.com/watch?v=adzt0U5t3F4

Надо всяких бруно уже банить надоели ДБ.

Японский производитель музыкального оборудования Onkyo в сотрудничестве с Pioneer выпустили смартфон Granbeat, ориентированный на поклонников Hi-Fi аудио. Ранее многие компании, например, JBL, Bang & Olufsen, сотрудничали с производителями мобильных девайсов для внедрения технологий в их устройства, однако это первый раз, когда аудиокомпания сама выпускает смартфон. Onkyo Granbeat оснащается 3,5- и 2,5-мм аудиоджеками, двумя усилителями с полным сбалансированным циклом, которые экранированы для избежания электромагнитной интерференции и могут работать с аудио 24 бит / 384 кГц. Onkyo также загрузила на смартфон проприетарные утилиты для контроля звука. Технические характеристики Onkyo Granbeat: 5,0-дюймовый IPS-дисплей с разрешением Full HD и защитным стеклом Gorilla Glass 3; шестиядерный чипсет Qualcomm Snapdragon 650 (2 ядра на частоте 1,8 ГГц, 4 ядра на частоте 1,4 ГГц); 3 ГБ оперативной памяти; 128 ГБ встроенной памяти с поддержкой microSD до 256 ГБ; 16-мегапиксельная камера с сенсором Sony IMX298 с поддержкой записи 4К-видео; 8-мегапиксельная фронтальная камера с поддержкой записи Full HD-видео; поддержка двух SIM-карт (4G только для первого слота); поддержка LTE B1/3/7/8/19/26, HSDPA/WCDMA B1/5/6/8/19, GSM/GPRS/EDGE 850/900/1800/1900 МГц; GPS, GLONASS, A-GPS; два DAC-чипа ES9018C2M, два чипа SABRE 9601K; поддержка аудио DSD, DSF, DSD-IFF, MQA, FLAC, ALAC, WAV, AIFF, Ogg-Vorbis, MP3, AAC; габариты 142,3 х 72 х 11,9 мм; вес 234 грамма; ОС: Android 6.0 Marshmallow. Примечательно, что смартфон поддерживает международные частоты LTE, в том числе и российские. Стоимость Granbeat составит $740 в Японии, однако о доступности аппарата на других рынках пока ничего неизвестно.

Meters Music: наушники с вольтметрами в чашках На прошлой неделе в аудиомире появился новый бренд наушников — Meters Music. Эта компания — дочка Ashdown Engineering, известной среди музыкантов своим усилением. Узнаваемой марка планирует стать за счет необычной дизайнерской идеи — аналоговых стрелочных вольтметров в чашках наушников. Такой внешний вид имеют обе представленные на сайте модели: OV-1 и OV-B. Модель OV-B выглядит современнее, но кроме фотографии никакой информации о ней нет. Про ретро-наушники OV-1 кое-что сказано: они «созданы для того, чтобы двигаться с музыкой», оснащены активным шумоподавлением и, конечно же, вольтметрами. Стрелочки на них колышутся в такт уровню музыки, как в профессиональных микшерах, и не только привнесут «студийности» в повседневную жизнь, но и станут еще одним интересным объектом для окружающих. Помимо аналоговых вольтметров ретро-вид наушникам придает обилие кожи (два варианта — черная и коричневая) и матовый металл на чашках, шарнирах и оголовье. Разработчики сообщили, что выбрали максимально легкий сплав для того, чтобы при использовании наушники не доставляли дискомфорта. Наушниками ассортимент бренда не ограничится, но сейчас доступны только OV-1. Их можно предзаказать за 279 британских фунтов (без доставки) и получить уже в январе следующего года.

Два одинаковых по структуре кабеля изготовленных из одного и того-же проводника, будут отличаться друг от друга и от разности длины проводника в этих кабелях, и чем больше разница в длине, тем больше это проявляется. Может быть WE медь, но разных годов, к примеру. Разные разные применяемые разъемы. Разная длина. Разный диэлектрик. Разное расположение жил. Разный припой . Разное настроение мастера при изготовлении кабеля. Все может влиять... это тогда уже другой кабель.

Вот есть даже рейтинг по вкладышам https://docs.google.com/document/d/1wGTZnKX1aP29c1bzs5JWgqSUlPzZqV9p_cw79VfRBpQ/pub

опять от ветки отписали(детский сад)-по семеркам что?

Metaxas Marquis Headphone Amplifier

Есть желание их послушать-тогда можно что то ответить,и странным образом меня отписали от ветки) ветка моя и никто вас не отписывал,уважаемый тезка. Наоборот,я приглашал на прослушку как раз этих наушников Вижу вы с другого города,но это не меняет дело. Сделаем индивидуальню прослушку ,когда будете в наших краях Спасибо за приглашение),Москва в планах не значиться,сам я тоже не отписывался)

Есть желание их послушать-тогда можно что то ответить,и странным образом меня отписали от ветки)

Вот от Сергея после прогрева и подстройки, окончательная АЧХ такая чет как-то сомнительно) В в чем сомнения? Или вы Snorry не доверяете? в ачх

Вот от Сергея после прогрева и подстройки, окончательная АЧХ такая чет как-то сомнительно)

я даже не удивлен)

Сергей есть к чему стремиться))) Shinpy выпустила флагманские жидкостные кабели Итальянская компания Shinpy выпустила новые межблочные, акустические и сетевые кабели. Особенность новинок заключается в том, что в них используются жидкости. Во всех моделях в роли экрана выступает не классический полимер, а электролит. В дорогих моделях межблочных и акустических кабелей (SST, Logos, Big Bang, Black Hole, Quasar) экраном жидкостная составляющая не ограничивается. Для переноса сигнала используются не твердотельные проводники, а токопроводящий раствор в герметичной трубке. К идее использования жидкостей итальянцев привело распространенное выражение, в котором говорится о том, что ток течет. Аудиосигнал разработчики сравнивают с «потоком пресной воды, протекающей в соленом море», а свои кабели — с трубой, по которой этот сигнал проходит, не смешиваясь с окружающим миром. В жидкостных кабелях крайне важна изоляция, поэтому Shinpy используют разъемы из карбона, обеспечивающие достаточную механическую прочность. Как можно было заметить, названия у всех моделей Shinpy «астрономические», и то же самое можно сказать о цене старших моделей: топовый трехметровый акустический кабель серии SSS стоит 1 390 000 рублей. Самым бюджетным можно считать межблочник Black Star, метр которого обойдется в 40 000 рублей.

новый усилитель Shangri La

The Sonoma Model One Headphone System The revolutionary Sonoma M1 Headphone System has been optimized for today’s High Resolution Audio formats. Every aspect of the system has been chosen to deliver unparalleled levels of performance and sound quality. The Headphone HPEL Transducer The ideal loudspeaker transducer would have zero mass, respond infinitely quickly to any signal, be perfectly damped, have no distortion and be perfectly linear. Until now, the technology that best exemplifies those characteristics is electrostatic. Introduced almost 60 years ago, electrostatic headphones have remained the choice of discerning listeners who demand the highest audio quality. Now, a revolutionary new electrostatic transducer, derived from the world of ultrasonics, has been developed in the UK by Warwick Audio Technologies Ltd. (WAT). The patented High-Precision Electrostatic Laminate (HPEL) audio transducer ushers in a new paradigm in the field of electrostatic drivers, and the Sonoma M1 is the first headphone system in the world to use it. A conventional electrostatic transducer consists of a thin membrane (coated with a conductive material) between two electrically conducting metal grids. There is a small gap between the membrane and grids. The membrane is kept at a high DC potential relative to the grids, and the audio signal is applied across the grids. This results in the membrane moving in response to the audio signal thus creating sound. Clearly, in order for the sound to propagate through the grid/membrane ‘sandwich’, the grids have to be perforated in some way. In contrast, the HPEL uses a thin (15 μm – less than the thickness of a human hair), flexible laminated film for the ‘front’ grid. The laminate is affixed to the open (cell) structure of an insulating spacer (made of Formex™), and the film is very accurately machine-tensioned in the x y plane. In this way, small ‘drum-skins’ are created by the cells. A stainless steel mesh forms the ‘back’ grid. When the audio signal is superimposed on a 1350 V DC bias voltage, the ‘drum-skins’ formed by the flexible ‘front’ grid vibrate, producing sound. Unlike a traditional electrostatic panel, the sound you hear from a HPEL does not pass through a grid! To take full advantage of this feature, everything has been done in the design of the M1 to keep the areas in front of and behind the transducer as clear as possible so as not to impede the sound waves. Thanks to a proprietary Finite-Element Analysis software package, WAT is able to fine tune the characteristics of the ‘drum-skins’ such that they have different resonant frequencies. Each cell is acoustically independent, but driven in parallel. As a result, the sound from each cell combines in acoustic space, but the independent resonances average out, avoiding any large resonant peak in the audio band (as can happen with a single driver area). The thin, light laminate material ensures an extended frequency response, with the panel remaining linear to over 60 kHz. The HPEL has unmatched transient performance, and its surface area has been maximized to deliver a full frequency response. Additionally, due to the fact that it is produced with modern automated manufacturing techniques, the HPEL delivers unprecedented consistency and matching between transducers (< ±0.8 dB difference between left and right channels). The simplicity of its design also enables exceptional durability and reliability. Naturally, such a light, thin transducer is susceptible to bending, etc., so the panel is encased in a special, super-rigid, high glass-fill polycarbonate ‘cassette’ which allows the transducer to perform optimally. Injected Magnesium Ear-cups Compared to Aluminum, Magnesium is about ⅓ lighter and has superior acoustical damping. Combining excellent strength-to-weight ratio, high stiffness and outstanding EMI/RFI shielding, Magnesium is the ideal material in which to house the HPEL transducer to ensure optimum performance. The ear-cups of the M1 are formed by precision injection molding at very high pressure. The result is a weight of 10.7 ounces (303 grams) which contributes to outstanding headphone comfort. Only high-grade stainless steel screws and fasteners are used in the the headphones for high strength and resistance to corrosion. Handmade ‘Cabretta’ Leather Ear & Headband Pads Comfort in a headphone is of paramount importance. We want you to enjoy the M1 for extended listening sessions. Producing an excellent sounding, lightweight design would all be for naught if the ear and headband pads induced any discomfort. So, to ensure maximum listening pleasure, the pads on the M1 are all handmade from top-grain Cabretta sheep-skin leather. Cabretta leather is renowned for its light weight, smoothness, suppleness, and durability. The leather used in the M1 is sourced from Ethiopia. The hides are then tanned by Pittards in the UK, who have been tanning leathers since 1826. Finally, the pads are hand sewn in Germany. Nylon 12 Headband It is crucial that a headband combine sufficient flexibility – to adjust to different head sizes – with sturdiness and a resistance to cracking under stress: just think how many times a headphone gets put on and removed from a head over its lifetime. To meet these criteria, we have opted for a headband made from Nylon 12 (aka Polyamide 12). This allows the headband to flex as required, while remaining strong over prolonged use. In addition, Nylon 12 acts to dampen noise and vibration. Internally, the headband contains stainless steel parts which have a vapor-deposited titanium coating to ensure strength and smooth operation. Custom Low-Capacitance Cable An electrostatic headphone does not present a normal load to any partnering amplifier. As a result, it is impossible to use just any cable to connect amplifier to headphone. Therefore, in collaboration with Straight Wire Inc., a totally new, ground-up design was done for the M1. The goal was to meet the following criteria: 1. capacitance had to be minimized; 2. mechanical noise pick up had to be minimized; 3. signal purity had to be maximized; 4. the cable had to be thin, flexible and light weight. Getting some of these criteria in a cable was not a problem. Getting them all was more challenging, as obtaining gains in one area could come at the expense of something else, usually the thin, flexible and light-weight aspect. The cable is composed of very fine strands of silver-plated oxygen-free high conductivity (OFHC) ultra-pure copper. The insulation is a foamed polyethylene chosen because it has a suitably high dielectric constant, and is well damped. There is no shared ground between the left and right channel signal cables, and a fiber filler material in the jacket keeps the conductors as far apart as possible (to reduce capacitance and crosstalk) as well as helping to dampen any cable microphonics. To ensure excellent strength, two Kevlar® fibers are woven into the cable. The resulting cable capacitance is a low 50 pF/m. At the amplifier end, the jack is electrically isolated from the amplifier chassis, while on the headphones high-precision self-latching connectors are used to ensure a secure connection. A sense loop built into the cable runs to each ear cup, and if the cable is disconnected at either the amplifier or headphone ends then the amplifier automatically shuts itself down. DAC & Energizer Discrete Single-Ended Class-A Amplifier Regardless of the type of gain device, in systems where the utmost in natural reproduction is the goal, simple single-ended Class-A circuits are the topologies of choice. Nelson Pass Like all electrostatic transducers, the HPEL requires a high-voltage drive amplifier in order to function. In the case of the M1, the drive comes from a high-performance, single-ended, discrete FET Class A amplifier with very low distortion and wide bandwidth which is optimally matched to the HPEL. The amplifier was designed and optimized to drive the inherent capacitive load of an electrostatic transducer, and the Class A output stage is operated at a high bias level, and delivers a very high slew-rate. Operating at such high bias levels results in improved linearity. The drive signal has a maximum amplitude of 145 V (rms), which is superimposed on the 1350 V DC bias. Despite operating at low current levels, the high voltages in use translate to significant power (for a headphone amplifier) at the output of the amplifier. Consequently, high quality devices are used throughout which are designed to cope with the power levels. FETs are often said to combine the sonic characteristics of tubes with the reliability of solid-state. In the M1, FETs from International Rectifier intended for linear amplifier applications have been selected. The attention to detail continues with passive components. High-quality metal film capacitors are used in the signal path and all the linear IC’s used are select models from Analog Devices or Texas Instruments (TI). To ensure isolation from all interference sources, the amplifier is encased in a completely shielded, machined aluminum enclosure (see below). The amplifier provides the following inputs: 1. USB 2.0 (digital) 2. co-axial S/PDIF (digital) 3. ‘high-level’ RCA (x2) jacks (analog) 4. ‘low-level’ 3.5 mm stereo jack (analog) The USB 2.0 input accepts all Hi-Res Audio formats up to 32 bit/384 kHz PCM and DSD via DoP (DSD64/DSD128), while the S/PDIF input accepts all PCM formats up to 24 bit/192 kHz. The high-level RCA inputs operate with a maximum input signal of 2.1 V (rms), while the low-level 3.5 mm jack accepts a maximum signal of 850 mV (rms). ESS SABRE Reference DAC The Sonoma M1 system was developed to deliver true high-resolution performance. For the critical digital-to-analog conversion stage, we turned to an established leader in the field. ESS Technology is universally recognized as the world’s premium DAC chip manufacturer, and we have opted for their 32 bit Reference DAC. Two stereo DAC chips are used in a special mono mode to deliver a measured 129 dB signal-to-noise ratio (SNR). Custom 64-bit Fixed-Point Digital Signal Processing Frequency response is the single most important aspect of the performance of any audio device. If it is wrong, nothing else matters. Floyd Toole Anyone who is familiar with loudspeaker or amplifier measurements will undoubtedly have seen plots of flat frequency response from a few tens of Hz all the way up to 20+ kHz. A flat frequency response is the ultimate goal for those components, and is quite easily achieved in an amplifier, but more difficult to achieve in a loudspeaker, especially in a real-world listening room (as opposed to an anechoic chamber). Unfortunately, the situation with headphones is a lot more complicated. The way in which a sound field interacts with our ears gives rise to a non-flat frequency response known as a Head-Related Transfer Function (HRTF). Worse, the HRTF changes depending on the direction from which the sound arrives. Further complicating matters, there is no universal agreement on what a headphone target frequency response should be. Historically, there were two options: free field or diffuse field. Free field is akin to listening to a pair of loudspeakers in an anechoic chamber, something very few listeners do. In contrast, diffuse field is akin to listening to a pair of loudspeakers in a highly reflective (reverberant) room. While this may be a bit closer to most listening conditions, it is still less than ideal. Studies have found that listeners actually prefer something different, and more like listening to a pair of ‘flat’ loudspeakers in a good listening room. This is the approach we have taken with the M1, and the target frequency response is termed a ‘modified, pseudo-diffuse field response’. Helping us to achieve the desired response at the output of the headphone, we digitally process all signals using custom 64 bit double-precision fixed-point arithmetic, running within a high performance, multi-core XMOS processor. It is well-known in the field of audio processing that fixed-point arithmetic is best, and the 64 bit arithmetic used in the Sonoma M1 exceeds the performance of most professional audio workstations. All the filter responses within the DSP are minimum-phase, slow roll-off and are optimized for excellent time-domain response. Taking further advantage of the incredible accuracy of the 64 bit DSP, we were able to implement within the amplifier a fully-digital interpolated volume control which dramatically outperforms all the pure-analog, stepped attenuators we evaluated. The benefits include: 1. no loss in fidelity and no loss in dynamic range 2. perfect left/right channel matching 3. no potentiometer/attenuator non-linearities at the end of range 4. no noise issues like ‘zipper’ noise, clicks/pops, etc. In short: it sounded better! AKM 32‑bit/384 kHz Premium ADC Due to the need for DSP to achieve the target frequency response, all incoming analog signals must first be converted to digital. This is undertaken in a multi-channel 32‑bit/384 kHz AKM Premium ADC chip. As the amplifier has both low-level (3.5 mm) and high-level (RCA) inputs, separate ADC channels are used depending on the input selected. That is, there are two independent, fully-optimized signal paths, one each for the low- and high-level inputs. In this way, the full dynamic range capability of the ADC is achieved regardless of the input selected. The measured SNR of the ADC stages exceeds 120 dB. Crystek Ultra-Low Phase-Noise Oscillator The ultimate performance of any digital system is determined by the quality of its master-clock. To guarantee the highest performance regardless of the input signal format, the Sonoma M1 is built around an ultra-low phase-noise oscillator from Crystek. Operating at 100 MHz, it features extremely low close-in phase-noise (<90 dBc/Hz) and an industry-leading rms jitter level, at 100 MHz, of 82 femtoseconds (82 x 10-15 s). All clocks used throughout the M1 are derived from this exceptionally accurate master oscillator via a sophisticated clock distribution scheme using Texas Instruments frequency dividers. Optimum PCB Layout The use of premium parts alone does not guarantee high quality performance. In the design of the M1 system, particular attention was paid to circuit board layout to ensure the lowest noise and distortion levels possible. Through careful component positioning, we were able to maintain an ultra-low noise-floor of -129 dB!. CNC-Machined Aluminum Amplifier Enclosure In contrast to the M1 headphones, where every effort was made to minimize weight, the M1 amplifier is a very substantial unit. Starting with a solid billet of high purity Aluminum 6063, the material is first extruded, and then CNC-machined to produce a shallow U-shape comprising the base and side walls of the amplifier. The metal walls which remain are 5/16th of an inch thick. A top-plate of the same thickness is similarly produced, along with 0.5 inch thick end-plates to form the complete enclosure. A special 3D wave pattern is then cut into the base and top-plate by CNC-machine to facilitate heat dissipation. To obtain the desired finish in the metal, the machined parts are then blasted under high pressure with fine glass beads before being clear anodized. Finally, all logos and labels are laser-etched into the metal, so will not fade or rub off! A beautiful case would be of little use if it did not help to improve system performance. The entire M1 chassis is electrically conductive, and acts as an ideal EMI/RFI shield. Care was taken to ensure a low impedance ground path between every mechanical component of the chassis and the power ground plane, which extends to the Custom Universal Power Supply Unit (see below) and earth ground. The signal ground is kept isolated from this protective shield, and all these features together contribute to the ultra-low noise floor and freedom from external interference. Superior USB Data Cable As USB is the only connection which accepts all the high-resolution digital audio formats which the Sonoma M1 supports (PCM up to 32‑bit/384 kHz and DSD64/DSD128/DSD256 ?), it was vital to ensure that there was no compromise in performance when using this connection. Consequently, in collaboration with Straight Wire Inc. we developed the supplied USB cable. Featuring gold-plated connectors and a silver-plated data path, it is the perfect connection between your digital music source and the Sonoma M1 system. Custom Universal Power Supply Unit It should, perhaps, be obvious that stable, clean power is essential to the operation of any audio circuit. For the M1 we have opted for a two-part power solution in order to keep as much noise as possible out of the sensitive audio path. The first-stage involves a custom-designed, universal voltage, outboard switch-mode power supply unit. While it may look similar to the units provided with laptop computers, etc., internally it is very different. To avoid any headroom issues, our device is capable of delivering about 3.5 times the maximum power the amplifier is designed to draw under steady-state conditions. In addition, the unit uses a fixed frequency-switcher (operating at over 85 kHz) to avoid the possibility of the switching-frequency dropping into the audio band as the power draw changes (i.e., the switching-frequency remains above 85 kHz under all operating conditions!). This unit is designed with improved internal filtering to yield extremely low noise and ripple (<50 mV peak-to-peak). It is connected to the amplifier via a custom, high-quality, shielded cable (with braided cover to match the headphone cable), and, to ensure an ideal connection, it is fitted with a high-performance, Switchcraft locking DC power connector. A massive ferrite core filter has been added to the DC cable to reduce EMI. Inside the amplifier, all audio circuitry is supplied by multiple stages of ultra low-noise, high-current linear regulators from Analog Devices. Isolated power regulation stages are used for both analog and digital sections as well as high- and low-level circuit stages. This two-part power solution is expensive, but, we feel, necessary to meet the design goal of delivering audio performance without compromise.